"My approach to scoring is slightly unusual," he says. "Instead of the typical method, where a composer scores to the story and the characters’ emotions as a sort of musical-narrator, I always try to 'write in the 1st person' and imagine myself in the scene. Roget's process to scoring a video game isn't quite what you'd expect. "For every element of the score, we had to consider where we fell on the dichotomy between 'contemporary orchestral score' and 'period score.' So I needed to establish a music direction that conveyed the setting respectfully, while also having the dark grit of a modern score so that our setting would be as relatable as possible."
"Call of Duty: World War II was a unique challenge in that while we went back to the series’ roots in the World War II setting, the pacing and presentation has a modern feel," Roget tells me.
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